Tuesday, March 8, 2011

Mound And Blade Sword Of Damocles

Theatre of Marvels



Competition Shows Teatro Vicenza 2010

Thursday, March 3, 2011

The Smell Of Feet In Nylon

The Exhibition: "I do not love shopping"

Women on the Verge of a desperate search for self



NAPLES - Dreamer and disillusioned, soft and elegant, martyrs, sensual, innocent, but most desperate of their personality, are women Giulia D'Anna, on display until March 31 to Feltrinelli di Napoli.

ACKNOWLEDGING 'SEX AND THE CITY' - Twenty stories by women that the adoption of Parisian illustrator Neapolitan soul with India ink of his pen, with the force of color, balance and delicacy of his collages. Behind the title, "I do not love shopping," takes a subtle and profound as life reflection on the meaning of shopping for the modern woman, blinded by the promise of granting leave within a few blocks, ready to do anything to get in, but ends up naked to find themselves deeply, hopelessly devoid of identity. Is explicit in this regard, a critical reference to best-selling novels like "Confessions of a Shopaholic" by Sophie Kinsella, a television series like "Sex And The City" or hit movies like "The Devil Wears Prada," which, sublimating some simple everyday actions, such as shopping, offering pre-packaged bags of personality to wear at the appropriate time for women photocopy, all the same, clean, aesthetically perfect.

Real Women - Women's Giulia are real. Some of them have wide hips, others wear glasses, and still others have uncombed hair or irregular faces. They are normal women, different from one another, yet united by the search of a cliché to which belong. There is the woman who has just bought her breasts and one that leads into the shopping bag a new brain, the woman dragging a heavy bag full of expectations, like dreaming than flying light that could become disoriented and wandering in the dark with a shopping bag over his eyes. If Gustave Flaubert declared, "Madame Bovary, c'est moi!" Giulia D'Anna could say the same of his creatures explained: "There is a part of me in each of these women, otherwise I would not be able to think of them. I also subisco the charm of shopping, but most times I stop buying the imagination and I find fulfillment in this way. I walk around the shops, try a bag, a hat, I see a kitchen that I like and I can tell, look at her and then go away. "



I DO NOT LOVE SHOPPING - The exhibition thus marks an important moment for the professional artist in Naples, not only because its inauguration in Naples, but above all because, with this exhibition, which develops a long artistic research that makes a simple ink drawing, the strength of the work: "For me, design is everything because it is there that is materialized in an instant the idea - said Giulia - The same idea that I like and then decline in various forms, in different ways - and continues - Professionally I have a lot to Richard Marinelli, who helped me in research as a critical form of illustration, as an attitude disturbing. Also I think I was particularly influenced by the work of Hungarian photographer André Kertész, depicting women's bodies, deformed with the help of some mirrors, and one of his Georgian filmmaker Otar Joseliani, appreciated for the subtle irony of his film. " Published on

corriere.it

Sound Blaster Ct4870 Drivers

Aldo Filiberto, 'target' in Hollywood Sicilian

Photographer and director, studied at the New York Film Academy



PALERMO - Live in Los Angeles on Hollywood Walk of Fame, the walk celebrities. Achieve Universal Studios, to attend lectures by John Carpenter (director of thing, Halloween, 1997: Escape from New York), Ron Howard (Apollo 13, A Beautiful Mind, The Da Vinci Code) or Buck Henry (writer of The Graduate). Walking inside the Hollywood sound stage - the hangar in which they are constructed sets - Through streets and neighborhoods of New York or Paris faithfully reproduced. Stop on the porch of a typical saloon, in a set western, and breathe deeply some of the most important chapters in the history of cinema. It would seem one of those lives by magazines and TV, one of those stories are able to remember the magnitude of land and sea that separates us from California. Yet this is the everyday life of Aldo Filiberto, a young photographer and director in Palermo around the world for almost 10 years. After studying photography in the UK and his portraits of faces and landscapes across Europe in 2001, thanks to a scholarship, joined the United States for a master's degree in Film-making at the New York Film Academy in Los Angeles. And while his last short, Redention, participates in festivals of independent cinema from the U.S. and Europe, The interviewer, his very first feature film, is now in pre-production.



Before photography, the cinema now. Choice or pure randomness?
"The passion for photography was born from the unexpected with a book of French photojournalist Henri Cartier-Bresson. After reading his concept of "zen" of photography, such as hunting the perfect moment, and I am in love poetry of his shots, I took my father's old Olympus and took my first photos. Since then I have not stopped. The shift to cinema, Instead, I believe it is the perfect sublimation of my love for photography. Cinema and photography speak a common language. Both have the power to transform the subjectivity of one person in an emotion so strong that it becomes concrete and shared objects. The photo does this through the use of images. The film also uses sound, music and movement, amplifying the result in an exceptional manner. "



What is missing in Italy for an experience like that you're living in California? "I think Italian cinema is missing the element that makes the American cinema alive and always evolving, which is the independent production. In Italy, most of the film is based on state funding. These products are in distribution agreements with several zeros on his feet even before the film itself was shot. In this way, the number of productions is inevitably low. In the United States, however, the view of the self-financed film is very interesting and are a lot of productions that are born, live and thrive outside of the system of Studios. There are producers who work only with independent films, whole distribution markets for independent films and movie theaters that screened only independent productions. This allows a young film-maker with no major capital appear in a film market still alive. It is from this basin that art cinema of the big American studios often draws ideas or talents. In Italy this does not exist.



these circumstances, it is difficult to imagine a return to Palermo ... your "I love Palermo with all its strengths and weaknesses and always carry a little 'with me, but for now I still need to discover the world. But there is a project I'm trying to do working with a producer friend and some members. This is a film about Palermo: an American production with cast and crew strictly Sicilian. Let's see what happens ...». Published on

corriere.it

Mucus Four Day Before Period

Une Passante, known pop-folk Baudelaire

The musical project of Palermo Giulia Sarno



PALERMO - Thirteen years is seduced by the work of Charles Baudelaire, ten years later, he composed his first song, translating English poetry of the master A Une Passante. Her name is Julie Sarno, was born in Palermo twenty-seven years ago, and is one of the young Italian singer-songwriters - alt folk, art rock, pop - the most promising of the moment. This item is hot, intense, grew up with Radiohead and Bjork, amber eyes framed by the strong mark of the eyebrows.

BETWEEN POP AND FOLK - A small figure, almost adolescent, that merges with the sensuality of the voice. Though he's based in Florence, his life is in perpetual motion: turn unePassante toured with the band that formed in 2008, and between a concert and the other composed songs, increasingly national radio stations. Pop and folk in English, with a "dedication to writing under the narrow limits of a genre ferrying from the boundaries of the standard," says the magazine Rockerilla. But the music is unePassante well reviewed in many magazines and webzines that deal with independent production: it is with the indie label The Florentine Anna Granny Records, in fact, that the band released this year His first album, "More than one in number," where there is also the single Bats Rats And Cats .

POETRY - yet, if we returned just a few years back, we would find Giulia Sarno, the loop, involved in writing a thesis on epiphanies in contemporary literature, decided to join the prestigious international program of the Ecole Normale in Paris, projected a brilliant academic career in literary criticism. Then, in 2007, the break: "In Paris, I had a vision of the future that I was scared. I saw myself sitting behind a desk, I felt a tremendous sense of claustrophobia and I knew I wanted to experience first hand my epiphany on road, "says Julie," From there, everything changed: the first compositions, then the encounter with Gianmaria Ciabattari, who would become the producer of unePassante. But literature, poetry, study, have never ceased to influence its production: "I am very attached to Proust, Sartre, Camus, Tolstoy, Dostoevsky. And then of course Baudelaire. His poetry, A Une Passante, summarizes in a few lines all the ethics of our society that is so dispersed, non-narrative, but timely and shocking, to experience the world, its contemporary man: it is a text that has concerned for a long time my reflections on literature and life in general, why I wanted to pay homage. "

THE TOUR SICILIANO-E even though Julia talks about poetry and literature with almost embarrassing ease, chose music to express themselves in a genre that speaks to all people by definition. "I think popular music today has a power that no other form of contemporary art has: it is the only one able to convey important ideas, remains common in terms of mass, the only one able to be heard by all." And to be heard in Sicily will be the unePassante January 4 to 9 for five dates Rockett light tour, the traveling show of live music was born in Syracuse is part of Palermo and Catania is open until 9. Published

on corriere.it

Signs To Look For When It Your Head

From small restating the Disney comics

drawing today in the team of Tim Burton

PALERMO - Some people dream of doing as a child astronaut and now has a fear of flying, who wanted to wear tutus and shoes and now wears the toga. She, however, that haunted by the silhouettes of Disney characters simply dreamed of one day to know the creators of the Little Mermaid and heroes like Roger Rabbit, today, a talented cartoonist and animator 2D (but also a folk musician), even sitting in the same team of those legendary artists. Valentina Ventimiglia, Palermo young artist, he realized early in life that would have drawn cartoons: "In the beginning I tried to involve my parents in the business. But neither the doodles of ladies of my mother and even the cowboy and Indian father, could satisfy me. In 4 years I decided that I would continue on its own. Copy the covers of notebooks, and all the books of Disney had the grooves in the pages depicting the Little Mermaid, because tracing over the TV, "pause" on VHS, never worked right. "

CAREER - Today, after a degree in traditional animation in Turin, un'Internship in the London headquarters of the Cartoon Network, and collaborations with various international animation studios, his name appears as a storyboard assistant, in the "crew list »Production of "Frankenweenie", a brand new stop-motion feature film by Disney, directed by Tim Burton, to be released in theaters in 2012. Yet, Valentina dream of returning to Sicily, "I have hoped more than once to work in my town, but in Italy, unfortunately, lacks confidence in young talent, as well as due consideration to an art form that provides for a very long time of creation . Many of us know, in broad terms, an animation consists of a sequence of drawings, but few imagine that, for every single minute animated, you can use up to 3 months of work. In Italy my profession is still highly underpaid, it becomes impossible to support themselves. "

THE NEW PROJECT OF BURTON - After the Alice in Wonderland (2010), Burton signed the final draft-Disney, is a remake of one of the first U.S. director of that short, Frankenweenie (1984), conceived as a parody of the two films James Whale, Frankenstein (1931) and Bride of Frankenstein (1935), based on the subject of Mary Shelley. "Franken-weenie," "Frankenstein-loser ', tells the story of the little Victor Frankenstein, by exploiting the effect of electrical impulses to the muscles, learned in school, trying to revive his dog - Sparky - hit by a' car. "Although more than a year a tireless team of storyboard artists, modelers, painters, stage designers, technicians and producers are working to feature films, we are still only half done, "says Valentina," At this moment we are developing the "storyboard" of each key stage film production, which could be described as a huge balloon that displays the whole story, scene by scene. My role as assistant, is to give a hand with the fixes, redesign the characters, substitute, change the shot or scene, but every so often get the opportunity to design small sequences in full, and there are no words to describe emotion, then imagine the result on the big screen. " And, when the headquarters of the production studio, in what is called a "storyboard department," the script is translated into visual material, are called the shots and film the way the characters interact with each other, at " Puppet Hospital (ed Puppet House), a tireless group of modellers and designers is working to build the environments and characters that, shortly after, the "set", finally take their own life, to enchant and captivate millions of children around the world. Published on

corriere.it

Big Breasts In Mini Dresses

Ciak, and the village of action become fashion

Cult web with creative Mosaicoon



PALERMO - There's a video on Youtube , which in just five days has already received over 40 thousand views, ranking among the most popular in the entertainment channel, a movie a little longer minute, starting from a small studio in the Gulf of Mondello in Palermo, has already toured the world, winning blogs and websites of fashion and style in Japan, Europe and the United States. The head of the video stands the slogan: "Incredible Fashion Town in Sicily," and it takes little more than a second to discover that the country is the world's trendiest own actions, this small town in the heart of the island, historically known for being the birthplace of Diodorus Siculus. Possible? Try it yourself to look at the video and tell us a bit 'if Anthony with his Scottish Experimental Elegance style, Joseph Queen Dream Oriental Fashion Nino or portrait in a single turtleneck Total Look, could not possibly do for school class and originality.

INTERNATIONAL CLIENTS - Whether it's fiction or reality, what merits attention here is that what may seem like the backstage of a Fellini film, and that ended up in a video that promotes Sicily Fashion Village, is actually by a group of young creative heart of the Sicilian Mosaicoon, a company born in Palermo in 2009 through the Belsito Vertis Media Ltd and Venture Fund (the first venture capital funding in Sicily). Despite Mosaicoon is "apparently" an online media companies could be as many others, to make a difference, capturing the attention of Vertis Venture fund first, and Italy international clients such as Telecom, Microsoft, Lumen, Electrolux Rex, Tommy Hilfiger (for the launch of the perfume Loud), Corona beer (for the campaign Extraordinary Taxi), Finelco then, was the great innovation of the services offered, and the quality of their production: "We were among the first in Italy to imagine the potential of viral videos (video advertising intriguing and fun, through the principle of word of mouth, spread on the web as if they were viruses, ed), "says the 29 year-old Hugh Giusino Parodi, the first sole member of Media Belsito, today Mosaicoon and member of the spa," The Our strength is the match of strategy, technology and creativity. We follow every customer step by step, taking care of him for the production, distribution and monitoring of online video, social media strategies,'s Advergames (advertising games), applications for mobile terminals such as iPad, iPod, and anything that might ensure the end user's entertainment. "

REST and 'possible - but this is just the beginning. What I was born a year ago as a young quartet of creativity, technology and communication - Juan Serrano Ortiz, Marco and Giuseppe Costanza Imperato, as well as Giusino Parodi - today has already quadrupled its training, continuing to grow exponentially. "We want to be a reference for all those guys, Sicily and forced to look elsewhere for a creative, multicultural and stimulating ',' Parodi Giusino continues," Our account manager, Peter Sorce, thanks to Mosaicoon after he returned to Palermo 10 years of experience in Milan. We hope that many others follow his example. " Published on

corriere.it

Denise Milani Chest Size

The return of 'Balkan' Double &!

with his ear to the east and south heart



PALERMO - Take some pictures and sounds of the masterpieces such as the Time of the Gypsies, Black Cat White Cat and Underground by Bosnian director Emir Kusturica , add a heaping tablespoon of Klezmer music, a handful of folk music Greek, Turkish, Arabic, a glass of French chanson, a few drops of flamenco, a pinch of rock, dub, reggae, jazz and a sprinkling Arch Sheep, and here that, at least in part, you will have grasped the essence of the second album "Double &!", "Zivile", in Slavic word that means strictly 'to Health. "

EAR EAST - The work is promoted on the internet with a video produced by National Geographic to Ballarò market, will be presented Dec. 16 next to "I Candelai" of Palermo. And yes, because even though Daniel Tesauro, Dario Partner, Gero pitanza, Davy Deglave, Robert and James Domenico Ferreri, aka the Double &!, A group are formally "Sicilian" (all but the French singer Davy Deglave), born six years ago in Palermo, the musical and aesthetic tastes of each one of them but found ultimate expression in what is the folk music of Eastern Europe and the Mediterranean in general. "From the beginning, it was a purely aesthetic choice similar to push music traditions, "confides Tesauro, one of the founders of the group," in a sense it's elective affinities which can not oppose. Feel the rhythm that resonates within you, but do not know why. So you begin to investigate a genre rather than another, until it becomes part of you. "

THE NEW ENTRY - And yet, it's no wonder that the name of a group as diverse and seemingly far from the Sicilian folk music, is rather typical local expression as' Double & "(mama mia!). If their music, in fact, is not explicitly Sicilian, numerous traces of North African culture, Turkish, Hebrew, French, Greek, English, Latin, which mark the skin of our people, gestures, looks, the colors of our markets, the smells, the sounds of the streets, however, represent a clear link. But not only. Just that 'matrim, "they sound in a live concert because their energetic Sicilian appear as if by magic: the interpretation of the songs, improvisations, with the understanding with the public. But "Zivile" is not only a new music collection. This album marks an important step in the history of the group: "Two components are gone, leaving a great void emotional and instrumental," Daniel continues, "and, in the search for a bassist to replace Marko Bonarius, We found an excellent substitute in the bass of our sound engineer, Roberto Ferrer, whom we also accompanied an electric guitar. " The language is different, no longer solely directed at young people, but also open to more mature counterparts. And then there are travel stories, music festivals, artistic collaborations, personal experiences, stories that each of them has written individually and then arranged together, "in great democracy." Published on

corriere.it

Blue Breasts 2 Months After A Miscarriage

Mike Ferra, director Palermo

that carries out projects in the Middle East



PALERMO - "Enough with those who say that from Italy because there is nothing works. That we must go to succeed. Are commonplace. People move because it is in human nature, is an anthropological one. The Italian, then, is an adventurer, is everywhere. It is a tradition that is now on for centuries. " He debuted Michele Ferraro, aka Mike Ferra, director of Palermo. Siciliano. Italian.

him from Palermo started 15 years ago, but not because you were good: "It is difficult to find other places with a similar quality of life. The weather, food, mandarins in the garden. I left because I wanted to portray the world, first with the camera, then with the camera. But to tell you first need to know anything, so began my journey. "

Today, 36 years, Michael lives in Berlin, San Francisco and Bangkok, directing Miranfilm, Sleeper and The Vintage Ones, three media companies, film and theater, which are enjoying great international success. "But that is not going away and, poof, you work and success they fall from the sky. For 10 years, I had to work as a bouncer in nightclubs around the world - Florence, Bucharest, Buenos Aires, New York, Madrid, Berlin - to earn some money. And in the meantime worked on various projects, documentaries, films. At night I experienced the worst face of society. But I learned to talk to people, to understand it. This was my real training, other than film school. " Speaking with Michael soon realizes that you will not be easy in a few lines the river ideas that populate his mind and his work.

More than 20 projects have already been made, and many are currently in the development process. The common denominator: the interest in social work to contribute to the betterment of society. "Theatre in the Desert ', for example, comes from the idea to create the first store in the Middle East theater, opening two new theaters in which to collect stories in which people can then identify. "The theater is the cultural foundation of a society. Thus was born Greek tragedy: what could not be said in the square, you could tell in the theater. In Europe, Goldoni, Shakespeare, Manzoni, have created in our archive Moliere play. All this in the Middle East has never existed. Today, in theaters in Damascus, Beirut, is staging Shakespeare, but it has nothing to do with their culture. " Although Michael has started as an artist, now claims to have sold out all interest in the pure aesthetic side of things. "I do not do anything that does not have a sense of social content. I want to use my energy to build villages in Africa. Giving culture to those peoples. Now the West has done everything, too. We need to go back to the farmers. But yes. We close all schools and theaters in Europe and go to open them in Africa. This is the future. " Published on

corriere.it

Plica Removal Return To Work

Bring the tastes of Cilento in Luxembourg

The mission of the entrepreneur Mario Notaroberto



SALERNO - In a restaurant whose name is "Notary" in front of a buffalo Muzzarelli Sele Valley, seasoned with extra virgin olive Pisciottana, and a good glass of Aglianico, which still smells of Cilento, we can not but feel at home. But no, we're not in Campania, and even in Italy. But in a casket Salerno the Grand Duchy of Luxembourg, in the company of Mario Notaroberto (descendant of a "notary" named Berto), a true man of the south as well as noble gourmets.

in Luxembourg since 1984, "to love" Notaroberto made the promotion of Cilento and the South in general, a real mission. "It all started in 1988 when, together with a group of friends - a Calabrian chef, a sous chef cheese and a Neapolitan pizza maker - have given rise to the Trattoria dei Quattro" says rummaging through memories. Today, with the "Notaro Ristorante Pizzeria," one of the most popular of Luxembourg, a shop with PDO and IPG at noon, and a wine cellar with over 1,100 labels Italian (which he won the 1st prize for the best selection of Italian wines in Europe - 2005), the indefatigable entrepreneur-gourmet-wine maker continues to fight for the preservation of the flavors of Southern Italy.

However, what really defines its commitment, it is the desire to be an authentic Italian restaurant, and not an "Italian restaurant abroad." "It's not simple thing - explains Notarberto - Do you happen to run into clients who demand a meat dish served with spaghetti bolognese and even well cooked. And if you deny them to him, you're not certain that they will see her again. Not many restaurateurs are willing to accept this condition. Here in Luxembourg the culture of Italian cuisine has been passed down from the first immigrants to eat in the 15-minute lunch break, were in a single container the entire lunch prepared by their wives in the morning, eating first and then the second set. It is now a culture rooted in tradition. " But Mr Mario

of little interest to please people, let alone whether the risk of betraying the kitchen, "Mom." And, in fact, most of the dishes offered by the Notary were born in the humble kitchen of his family, Palinuro, where Mario, from child, he spent his days assisting mother Rosa, who worked in the kitchen. "The Mulignana Muttinati (stuffed eggplant) on the menu at my house were the main course on Thursday, when the meat was eaten only on Sundays. "

And when your mouth water now can not bear so many words, here is a fragrant dish of spaghetti "alla chitarra" Gragnano, with anchovy sauce, fried breadcrumbs, garlic and Prezzemolina, accompanied by a glass of Fiano Cilento, is preparing to send to heaven. Published on

corriere.it

Top Loading Dish Washers

Petrella back with Tubolibre / Slaves

"Loved the cover of the '30s blues'



Gianluca Petrella, we talk first of its next output hard ...
"It's a project that I really care, it's called Tubolibre / Slaves and is produced by Spacebone, the record company that I wanted to create in 2009, they expect the exit end of November. Tubolibre, in particular, is the quartet that I formed in 2008 along with three excellent musicians: Gabrio Baldacci on electric guitar, Cristiano Calcagno on drums and Mauro Ottolini to Susafa (lighter and more transportable version of the tuba, often used for bands) . Instead I'll play the Fender Rhodes, as well as the trombone of course. "
What kind of music in Tubolibre / Slaves?
"Cover of Blues of the '30s, improvisations, and some new songs. Despite Tubolibre probably evokes joy and lightness, in reality it is a very hard and deep melancholy, a harsh reflection on what is absurd is happening in our society. The very title, Slaves (slaves), wants to tell all kinds of slavery that haunt our everyday life: technological slavery, slavery of money, that of power. " A new
Petrella.
"Rather than again, I would say that I feel in a new guise. It does not affect many records, I make a new album every year and is in a sense a new part of me. I like to put into question, always playing with new languages. Each experience, every trip, every encounter, every thought influence what I create, again and again. It would be impossible to create the same music. "
Although he only 35 years, plays the trombone for over 25 years now. More than an instrument now a sort of third arm. Why just the trombone?
"In fact, it is not mere coincidence. The trombone I've been in the house, my father is a trombonist himself. It would be difficult for a 10 year old child choose an instrument like that. I started playing the trombone in 85 weddings and funerals, accompanying with the band in the country. And certainly the fact of playing funeral marches have strongly influenced my training Music. Then I left instead overwhelmed from Happy jazz, playing in small dance bands. At 20 years, then I left Bari to Frankfurt and 21 are returned to Italy where I began working with Enrico Rava. "
Just look together at a concert to catch your great harmony
"We play together for 15 years, we know each other really well. Trumpet and trombone becomes a tool only when we play together. He was a great teacher for me. It opened many doors, both from a cultural point of view, and professional. I grew up with him, he has toured around the world. Do I have a lot to Enrico Rava, it is an honor for me to continue to work together. "
In the early years of its formation, however, who has been his greatest musical reference?
"When I started playing, studying at the Conservatory, my myths were a little 'myths of all. I can say I grew up on bread and JJ Johnson, a great trombonist. And then of course, Ornette Coleman, Archie Shepp, Hereti Dolphin. Over the past 5 / 10 years instead I began to find inspiration in every musical genre, from the great Giacinto Scelsi to rapper Snoop Dogg, and then in electronic music, heavy metal. I would say in all the sounds in general. But do not tell me about Italian Pop. Not that. I can not stand those people who maybe do not understand that great music and like to blow a few, off to the genes of the third millennium. " A meatball
difficult to swallow for someone like you who has studied deeply the music
"I do not do as a matter of education or knowledge, is not an issue of musical skills. For me everything is music. From the orchestral music that played in a garage. Music is a common good. What I hate is the presumption of those who pretend to understand, then speculating on some artistelli. I mention no names. "
And Computer Music instead?
"A ruin. Although I very often work with the computer and I really like the mail, I can not consider music the act of buying a computer, mount it in the kitchen between fridge and dishwasher, download some sound pieces and assemble them together. "
On Youtube there is a video in which he plays under water of a swimming pool. Do you like this kind of experimentation?
"You mean the Time In Jazz Festival 2009. That year the theme of the festival was just water. And so, with Paolo Fresu, we decided to play with the water more than theoretical physics. And I immersed myself in the pool, it was fun. Other experiments ... I played at 2400 meters altitude in the mountains. And then the dark, the rain, the street is ... Every time a new feeling. " Looking
play, it seems to go almost in another dimension. What's inside his head at the time?
"Actually, those are moments of high concentration. Think music, think of the sounds, the notes you think you're going to compose. If every time you want to create something new, something unheard of, as I pretend to do, you must free your mind of everything else. " Published on

corriere.it